Those are the terms, they can’t change

Mitch McDeere is a young man with a promising future in Law. About to sit his Bar exam, he is approached by 'The Firm' and made an offer he doesn't refuse. Seduced by the money and gifts showered on him, he is totally oblivious to the more sinister side of his company. Then, two Associates are murdered. The FBI contact him, asking him for information and suddenly his life is ruined. He has a choice - work with the FBI, or stay with the Firm. Either way he will lose his life as he knows it. Mitch figures the only way out is to follow his own plan...

Set in the 1980s, Dom is a teenager who finds himself drawn into the charismatic world of football 'casuals,influenced by the firm's top boy, Bex. Accepted by the gang for his fast mouth and sense of humor, Dom soon becomes one the boys. But as Bex and his gang clash with rival firms across the country and the violence spirals out of control, Dom realizes he wants out - until he learns it's not that easy to simply walk away.

A law student's theory about the recent deaths of two Supreme Court justices embroils her in a far-reaching web of murder, corruption, and greed.

When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.

In The Reversal, Jennifer Boles engages the archive – and foregoes making new images in favour of repurposing existing ones. Photographs of the reversal of the Chicago River at the turn of the nineteenth century unfurl to an appropriately machine-like rhythm. The result is a haunting, black-and-white evocation of the efforts of anonymous men whose collective labour – and, often, lives – went into this capital-driven reorganisation of nature.

Laurel Ayres is a businesswoman trying to make it but unfortunately she works at a investment firm where she does all the work but all the senior investors like Frank Peterson grab all the credit. She then leaves and starts her own firm. While trying to find clients Laurel pretends that she has a male partner named Robert Cutty. And when she starts to do well all of her clients wants to meet Cutty which is difficult since he doesn't exist.

An unemployed investor creates a fictious business partner to attempt to improve business. Eventually, his creation gets out of control as his business becomes successful and his wife announces that she is in love with the partner and his son wishes the partner was his father -- although no one has ever seen him. To regain control, the man decides to "kill" his imaginary partner and is arrested for the murder.