Pre-1975 foreign desert island role reversal

Stranded and alone on a desert island during a cruise, a spoiled rich woman and a deckhand fall in love and make a date to reunite after their rescue.

This is an Italian sex comedy that, like the earlier sex comedy "Il Gatto Mammone", combines the comic stylings of Lando Buzzanca ("The Eroticist", "Il Domestico") with gorgeous, oft-nude body of Gloria Guida (Miss Teen Italy of 1974). Actually, Guida gets to demonstrate a few comic styling of her own as a bohemian theater "actress" who lives in cramped apartment with a whole bunch of other clothing-averse bohemian types. She is very devoted to her older beau Buzzanca, but his life is very complicated due to his own devotion to his very big and very old dog, the ironically named "Piccolo" (basically "Tiny"), and his even older grandmother. In order to take care of these two dependents, he forsakes his loyal girlfriend for a rich female pharmacist (Andrea Ferriola) and moves in with her and her haughty bourgeois mother and aunts--with disastrous results for all involved.

Sir Philip Ashlow (Stewart Granger), his neglected wife, Lady Ashlow (Ava Gardner) and his best friend Henry Brittingham-Brett (David Niven) are shipwrecked on a desert island. This potential ménage à trois where the two men compete for the lady's attention is interrupted by the unexpected arrival of a fourth inhabitant of the island.

The true story of Barbara Hutton, who had inherited $40 million by the age of 6. This insight explores the effects that money can have on one's life, loves, and careers.

When their plane crashes, 25 schoolboys find themselves trapped on a tropical island, miles from civilization.

After a plane crash, a group of schoolboys find themselves stranded on a tropical island without adults. Ralph is elected leader and, with the help of the intelligent Piggy, strives to maintain order and civilization. Jack, responsible for the signal fire, becomes increasingly focused on hunting and power struggles. This leads to tensions within the group, gradually pushing the boys from hope and structure into chaos and tragedy.