old swedish film where girl looks at camera

A girl gets a video camera from her parents in a birthday present. She starts filming her family during their holidays in Hälsingland, Sweden.

The arrival of a beautiful new stranger in town prompts two boys to spend their summer holidays enticing the young woman to act in a short-film. However their motivation is purely that of seeing her naked.

Swedish Indie Film

A surreal, lighthearted Scottish short film, featuring love and coffee. The greatest film featuring one of those blue police box things!

"The Lighthouse-Keeper's Daughter". The film premiered on April 2 1918 at Brunkeberg Theatre in Stockholm . The film was to be the last feature film that was released from Hasselblad film before it went up in the newly founded Film Industry Skandia. Filming took place at the Hasselblad Studio in Otterhällan with exteriors from Böttö lighthouse outside Gothenburg by Gösta Stäring.

1950s Sweden. Boy meets girl, boy kidnaps girl. Girl suddenly makes her own demands. For a few hours, a game of high stakes is played. Most desperate will win. And before the night is through, blood will be shed.

The photographer Jan is in his bubble of reflections and thought on life. And girls. Mostly girls. Jan has a complicated relationship with the suicidal dancer Lena. She is worried about life and her future dancing. The role of Jan is played by the renowned Swedish photographer Anders Petersen.

While on vacation in Sweden, a young woman tells a friend about the sexy escapades she's been involved in back in the U.S. Footage from this R-rated comedy later ended up in the 3-D softcore film THE CHAMBER-MADES (1972) and the hardcore film PASTRIES (1975).

A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.

A brief presentation of the Swedish film policy, the Swedish Film Institute and the Film House in Stockholm. The recording of "Niklas och Figuren" (1971) is featured.