Japanese film about a man who sells crepes and an old woman

A spell of time in the life of a family in rural Tochigi prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.

Featuring interviews with cast & crew.

Brash, loudmouthed and opportunistic, Kikujiro is the unlikely companion for Masao who is determined to see the mother he has never met. The two begin a series of adventures which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and unique characters along the way.

Documents the events surrounding the making of 'Kikujiro no natsu'.

Sawa, a home helper for a middle class family with an elderly infirm grandfather, is forced to stretch her morals to keep her job. As a result, she finds herself broke and out on the street. She survives her first night by striking up an ambiguous friendship with a kindly old man, gaining access to a portion of the immense wealth held by Japan's aging population. She continues with similar encounters, and while these begin as scams or revenge on rampant sexism, they ultimately become vulnerable intergenerational exchanges.

Young girl Saori, a cook at a diner, loves cooking. There is a regular customer Kujo, a guy who has never touched the plate of her cooking. Saori decides to give him a bag of sandwiches for him to eat at home, but later she finds that he gave it to a Buddhist monk on a street. She does not know that Kujo only eats what he cooked himself. A tragicomedy of 4 couples suffering about eating.

Two obaachans become fast friends listening to music in front of a record store. They both boast about their loving sons but in reality, one had just escaped a retirement home and the other was looking for an escape from her son and daughter-in-law. With nowhere to go, the two wander around, befriending a cosmetics salesman and a kind waitress who give them beer. This biting social satire starring two memorable grandmothers, scripted by Yôko Mizuki, picked up on Japan’s aging population problem far ahead of its time.

Minako (TANAKA Yuko), begins her day running up and down the hills of her hometown delivering milk door to door. When that's done, she heads to her day job as a supermarket cashier. Minako is 50 and single. In one of the houses to which she delivers milk is a man with whom she has secretly been in love since high school. The man, Keita (KISHIBE Ittoku), lives with his wife Yoko, who is terminally ill. Caring for her at home, he works in the children's affairs section of the local municipal office. Though he insists that he wants nothing more than an "ordinary" existence, his life is in turmoil below the surface. The director uses a variety of narrative devises to portray the loneliness, isolation, and hope of these people who have seemingly allowed their goals and dreams to slip away, whilst keeping them agonizingly close to hand.

The owner of a small roadside restaurant tries to arrange a marriage to a young woman who she adopted. But the woman falls for a truck driver who is in trouble with the yakuza.

A road trip film that follows a homeless woman and a married truck driver. After saving homeless Nozomi from an attack in the park, truck driver Ryuuhei offers Nozomi a part-time job in his truck and decides to set on an aimless trip. As they travel together, they encounter various eccentric individuals, including a deriheru girl (prostitute), a street poet, and a man who is being chased by the yakuza, and gradually learn about each other's circumstances.