i'm a changed man now

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

A depiction of the Ponca’s “Trail of Tears” march that led to the 1879 landmark trial of Standing Bear vs. the United States of America. This mostly unknown legal case helped all Native Americans to be considered “human beings” under the law, also setting legal precedent for many future civil rights matters within the U.S. courts.

A depiction of the conflict between King Henry VIII of England and his Lord Chancellor, Sir Thomas More, who refuses to swear the Oath of Supremacy declaring Henry Supreme Head of the Church in England.

Story of Sir Thomas More, who refused to accept the spiritual leadership of Henry VIII, and faces death as he struggles to remain loyal to his integrity.

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

An exuberant dancer decides to change her lifestyle after meeting a millionaire.

A young boy learns that he has extraordinary powers and is not of this earth. As a young man, he journeys to discover where he came from and what he was sent here to do. But the hero in him must emerge if he is to save the world from annihilation and become the symbol of hope for all mankind.

Christopher, 35, arrives at his school reunion a changed man. Over the past twenty years he has moved away to a new town and built a new identity for himself. His old classmates have trouble accepting his new confidence.