Science-Fiction-Thriller. reality emerges suddenly. final scene Llondon thames

Armed with only one word - Tenet - and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time.

Stavanger is no longer a small fishing town on the West Coast of Norway. People are wealthier, the cars more expensive and the houses more luxurious. In the middle of this materialistic everyday reality is Jonny Kristiansen, an up and coming 25 year old broker. Hungry for money and success, he is pulled into an unscrupulous financial world. Jonny takes off and aims at becoming the richest and most powerful at whatever cost.

Two young men plot to escape a dystopian future London ruled by corporate tyrant The Impresario

Survival of the fittest in a post-alien invasion London.

A fictional look at what might happen if the Thames were to flood before completion of the Thames Barrier at the end of 1982. A series of freak weather conditions coincide and there is a real possibility that the Thames will flood as a surge tide is racing down the East Coast.

After witnessing his girlfriend's murder, a man risks everything - including reality itself - to discover the truth.

A walk on the thin borderline between reality and imagination. London cityscape that is real and yet impossible. Alex Chandon turns London upside-down and inside out in this ingenious M. C. Escher-inspired short. Pedestrians stroll under a watery sky as the Thames stretches across the heavens, whilst cars drive along the roof of Waterloo Bridge as book buyers browse oblivious below. The South Bank features prominently in delightfully askew visions, with deranged shots of the National Theatre and the Queen Elizabeth Hall undercroft (the haven for skateboarders, seen here leaping into oblivion). The Hayward Gallery, St. Martin in the Fields and many other London landmarks are also surreally readjusted. The ominous music by the Dark Poets and the destructive images suggest that this film should be unsettling, but in fact the effect is amusing rather than disquieting, and the chief pleasure of this short is in adjusting one’s perspective to recognise the famous locations.