Norman mailer burned my ass

A group of working-class friends decide to enlist in the Army during the Vietnam War and finds it to be hellish chaos -- not the noble venture they imagined. Before they left, Steven married his pregnant girlfriend -- and Michael and Nick were in love with the same woman. But all three are different men upon their return.

A documentary Interview with The Deer Hunter director Michael Cimino.

A provocateur, a rebel, a performer, and a true American, Norman Mailer never stopped giving people something to talk about. This documentary goes beyond the Mailer of the bookshelves and NY Times best seller list to Mailer the social critic, family man, filmmaker, and lover. Here's a look into the life of a complex, intellectual, working class hero. With never before seen footage of Adele Morales Mailer's startling revelations after being stabbed by her husband. Featuring unseen footage and interviews from wives and lovers, enemies and admirers, his children and the man himself.

Norman Mailer frankly discusses American culture, politics, literature, and his own tumultuous life.

From Brooklyn beginnings to literary pantheon, Norman Mailer's unorthodox trajectory spans marriages, offspring, and accolades. An unprecedented glimpse into the preeminent 20th-century author's private and public worlds through intimate biography.

Norman Mailer flies to Munich to lecture at the University of Munich, invited by the filmmaker to document a four day interview which took place in a classroom, beer hall, mountain Gasthaus, and Nymphenburg Castle.

Portrait of Norman Mailer at the time of the Pentagon demonstrations in 1967, documenting Mailer's involvement and arrest, together with two TV appearances and shooting on the set of his second film 'Beyond the Law'.

Norman Mailer profiles life in America since the Second World War. Farewell to the Fifties. Mailer fought for his country in the Second World War- an experience that inspired his novel The Naked and the Dead. But, disappointed by post-war America, he grew to despise the fifties.

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.