imigrattion

An Eastern European tourist unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there.

Before The Terminal List, Navy SEAL Ben Edwards finds himself entangled in the black operations side of the CIA. The deeper Ben goes into the 'gray', the harder it will become to not give himself over to his darker impulses. Every man has two wolves inside him – light and dark – fighting for control. Which wolf will Ben Edwards feed?

Brother and sister Enrique and Rosa flee persecution at home in Guatemala and journey north, through Mexico and on to the United States, with the dream of starting a new life.

In 1950s Ireland and New York, young Eilis Lacey has to choose between two men and two countries.

Coralie runs away from Switzerland. She arrives in Paris to take her chance into Hip Hop music. She’s hired as a cook in a local association in the parisian suburb of Saint-Denis. Coralie meets Issa, the rising star of the hood…

A young mouse named Fievel and his family decide to migrate to America, a "land without cats," at the turn of the 20th century. But somehow, Fievel ends up in the New World alone and must fend off not only the felines he never thought he'd have to deal with again but also the loneliness of being away from home.

Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.

Sayra, a Honduran teen, hungers for a better life. Her chance for one comes when she is reunited with her long-estranged father, who intends to emigrate to Mexico and then enter the United States. Sayra's life collides with a pair of Mexican gangmembers who have boarded the same American-bound train.

This video is an approximation to represent in a poetic way, how I feel inside during this period of estrangement and shelter, in which we’ve had to resort more frequently to social networks and to digital media in general to have contact with nuestrxs queridxs and the world. This hyper connectivity has caused an increase in the content of information we receive and has personally kept me more time in front of a screen. In the video I use material from my Instagram feed and turn to the body to simulate the interaction I have with a mobile device during the day, recreating positions in which I find myself consuming information without a break.