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movie scene photographer takes pictures inside car
Nightcrawler
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
The Nightcrawlers
The Nightcrawlers provides unprecedented access to the the Manila Nightcrawlers as they look to expose the true cost of Filipino President Duterte’s violent war on drugs.
Diners, Drive-Ins and Dives
Host Guy Fieri takes a cross-country road trip to visit some of America's classic "greasy spoon" restaurants — diners, drive-ins and dives — that have been doing it right for decades.
Formula 1: Drive to Survive
Drivers, managers and team owners live life in the fast lane - both on and off the track - during one cutthroat season of Formula 1 racing.
Collateral Beauty
Retreating from life after a tragedy, a man questions the universe by writing to Love, Time and Death. Receiving unexpected answers, he begins to see how these things interlock and how even loss can reveal moments of meaning and beauty.
Collateral Damage
Firefighter Gordon Brewer is plunged into the complex and dangerous world of international terrorism after he loses his wife and child in a bombing credited to Claudio 'The Wolf' Perrini.
Views From a Car
"This film was shot from a parked car. One observes and is observed…" —Milena Gierke
AUTO-MATES
Gary Walkow shot this film in 1977 and completed it in 1978. In the August 1979 issue of "American Cinematographer" Tom Frei wrote an article "Moving Camera Shots inside a Moving Automobile." The entire film was shot inside of a Oldsmobile Starfire. Gary looped the entire soundtrack but now feels it would have been much better using the production sound. Oh, well.
An Intimate Portrait of the Art of Background Driving
Lance Bangs interviews one of the extras whose job is to drive their car in the background of scenes in 'Being John Malkovich'.
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