what film ends with a man caged by odd creatures

A group of teens journey to a remote cabin in the woods where their fate is unknowingly controlled by technicians as part of a worldwide conspiracy where all horror movie clichés are revealed to be part of an elaborate sacrifice ritual.

A soundless film starts in a studio: an artist sits, a nude stands; a page burns, paper cutouts appear, images are distorted. The artist removes his eye; it falls from his hand, seeing images spin as it rolls. A man falls, objects in the studio falls on him, he's not the artist. A woman gets help from a man in a lab coat; he and the man on the floor fight over a shotgun. Outside, in the city, people and cars move backwards. On the street, those from the studio chase a woman who's stolen leeks. In the backward cityscape, they move forward. They run toward a seaside amusement park. The artist follows, his head in a bird cage. He ends up with the woman who went for help; or does he?

Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.

Middle class man surrounded by fear and paranoia become prisoner of his own world.

Trapped in an apartment with a menacing creature, a man has to undergo a cyclical routine to please it and keep himself alive. However, his captivity eventually becomes unsustainable.

A woman is kidnapped by her deranged ex-husband and forced to perform a series of challenges in order to win her freedom. From the director of Samurai Cop 2 and Mad Cowgirl.