dying man hallucinates dancing in the street

A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.

For Peter Parker, life is busy. Between taking out the bad guys as Spider-Man and spending time with the person he loves, Gwen Stacy, high school graduation cannot come quickly enough. Peter has not forgotten about the promise he made to Gwen’s father to protect her by staying away, but that is a promise he cannot keep. Things will change for Peter when a new villain, Electro, emerges, an old friend, Harry Osborn, returns, and Peter uncovers new clues about his past.

A comprehensive 12-part documentary on the making of "Spider-Man 2," covering everything from pre-production to premiere.

An older man begins dancing in a public square, oblivious to the laughing gawkers who pass by. He seems to want to engage the attention of a young man sitting on a bench who begins weeping. A group of youngsters mimics and mocks the dancer. He's oblivious to them. The music is a sprightly tune that Fred Astaire might have used as he enticed Ginger Rogers into his arms. And didn't he do a lot of dancing in the streets in his movies? Nobody laughed at him. But, of course, he was only on a pretend street in a Hollywood soundstage. We know this is also a setup. Still, it's embarrassing. They're making public displays of themselves. The man, expressionless, continues to dance. The other man continues to weep. One kid starts taking the performance seriously and joins in the dance as a sort of pas de deux. Both men ignore him. And then it's over. We don't know why it began or ended. Courting ritual or celebration of self, it's unclear. (UbuWeb)

A dance epidemic hits a group of people, making them dance away for days in the city streets.

A conductor is haunted by hallucinations during a performance of Camille Saint-Saëns's Danse macabre.

Jack is having a party with some friends. Disused, he decides to take a psychedelic drug. With a lighter mind, he enjoys the moment, his belly rejecting his visceral anguish as the evening progress. Arrives the time when he confronts a too big anxiety of which he cannot get rid of.

A History of Dancing visually follows the transmigration of the soul after death, going through several states before reaching a final destination similar to Nirvana. (A similar transmigration occurs in my films, None Saved, and Alaska.) For the film, I created my own “wipes” to use as transitions, following a tradition developed in the silent era. Ultimately, A History of Dancing explores trauma I’d gathered from an insecure childhood growing up in suburban Connecticut—during which two of my siblings had died violently as teenagers. The lesson for me was that one must come to terms with death, for it is always nearby, even among the well-to-do and supposedly sheltered.

A young man must teach a woman to dance - at any cost.

In this apparently lost film, a beautiful dancer's sexual allure is used by an evil cripple to entice men to their deaths. Falling in love with one of the potential victims, she is told by the cripple that he will set her free if her lover, actually a murderer himself, survives and escapes a bizarre labyrinthe which runs beneath the cripple's house.