musical film with image of couple dancing on a red car

Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

In a post-La la land world, a man must decide whether he loves or he hates it

The film's plot, which largely takes place in a cabaret, revolves around a worldly guy who had abandoned a mature lover for a younger and more beautiful one. It is very elementary and is just a pretext for a parade of popular songs. Currently considered lost.

In this animated short, a half-naked woman dances with her black-suited partner.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

With an irresistible humour, Rimmer speculates in The Dance on the nature of the film loop. We see a (1920s) couple whilring around a dance floor at a dizzying pace... Uncanny in its ability to evoke complexity of responses from a simplicity of means. Preserved by the Academy Film Archive in 2015.

Powered by the performances of sexy boys and girl (and a mischievous photographer) and texts by Dominique Noguez, punctuated by a musical lyricism that combines classical Arias, dandy rock and bewitching Arabic chant, this film is conceived as a long poem allegorical about beauty, desire and death. Allegory intensified by the vertigo of the transgression, the mysteries of the sacred and the images of Baron Van Gloeden, Jean Genet and Michel Journiac, masters of funerary eroticism and body’s fury.