technology human skin

Neither the skin nor the filmic material is exempt from the temporal becoming and its consequent growing degradation. Both have such a fragile sensitivity that their potential for intervention seems to be infinitely finite, yet a common point seems to open a gulf between them: memory. However, one point in common seems to open an abyss between them: memory. How does dermatological memory operate? The photographic archive sends us back to vital mummification. Virtual skin and digital body exchange mails.

"Art Jones commissioned this piece for a show called “Word” which opens at Diverse Works in Houston this April. Each participant was asked to choose a particular article or essay in order to generate a visual/audio/virtual response. The work produced is a conversation between an artist and a writer. For Skin Job, I chose to respond to various articles contemporary theorist, Laura Kipnis has written about pornography. I am interested in the similarities between how she writes about sexualized female bodies and how many other contemporary writers address technology. We fetishize flesh in the same way that we fetishize machines. The text in the piece is an original haiku which suggests that the heroine is man-made—an android. She is a bionic woman with an unlikely sense of loneliness, sexuality and desire. She seems observed and disoriented in her empty, future space. This piece contemplates a virtual identity as it influences a sense of contemporary utopia. (...)"

In the modern world we are surrounded by machines. Caring for the machines we forget the most complex one: our human body.

In a true collaboration of image and sound, the viewer experiences a visceral symbiosis of technology, organisms, and skin.

Scientists, researchers, and entrepreneurs are revolutionizing the way people see, touch, taste, hear, and smell with cutting-edge advances in technology.

Rubbings become tactile photographs, subtle matter, retinal tattoos.