Dudley Moore in a movie about teeth

Fast-talking Latino con artist Pestario "Pest" Vargas is the target of Scottish mobsters to whom he owes a considerable debt. Willing to do anything to raise money and avoid severe injury or death, Vargas agrees to a very unusual job -- he will be transported to a remote island and hunted by Gustav Shank, a racist German executive. If he can survive a full day and night, Vargas gets $50,000 and will be set free. Is he wily enough to elude Shank?

Stan is Jimmy Smith, a salesman who is trying hard to pitch his Napoleon book to an uninterested customer as they stand in front of some iron gates. When an elderly gentleman approaches the two men he uses sign language to communicate to the 'customer' and they leave together. This is when Stan sees the sign for the Deaf & Dumb Institute that his subject was standing in front of. An elderly lady then walks out of the gates and Stan uses sign language in an attempt to talk to her. Of course, she is not deaf or dumb and gives him some verbal abuse for assuming so.

Tenacious homicide detective Cassie Mayweather and her still-green partner are working a murder case, attempting to profile two malevolently brilliant young men: cold, calculating killers whose dark secrets might explain their crimes.

A documentary on serial killer films.

An avant-garde film about a dentist and an irrational fear that comes to life.

The film begins with a girl who is supposedly irresistible to all men. Several guys all come to her to pledge their undying love--including Harold Lloyd's brother, Gaylord (who is a dentist). Shortly after this, a new dentist (Snub Pollard) arrives to work in an office across the hall. In a very funny scene, Pollard manages to steal all of Gaylord's patients from his waiting room. However, when it comes to dental work, Snub is highly unlikely to receive the American Dental Association's seal of approval. That's because he's incredibly rough and manages to toss a guy out the window when he pulls his tooth.

A lost film. Claude Marlow, Eugene Wilson and Fred Strong pose as a trio of mashers whom women cannot resist. However, They soon find have have met their match with the arrival of Edith Morton, the new dentist.

From dentures as wedding presents to veneers, Keith Duffy traces the story of the Irish nation’s fast changing relationship with our teeth.

In the film we meet the mystical Anna. She is an ambitious dentist with nothing on her mind but teeth and dentistry, a callous woman who seems to be living in her own world.

In 1984, a fashionable young woman spontaneously lectures her friend about good oral hygiene. Produced by the American Dental Association.