Scene where someone holds someone elses hands and feet to fight

Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.

Plagued by strange memories, Neo's life takes an unexpected turn when he finds himself back inside the Matrix.

A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

It's the 1940s, and the notorious Axe Gang terrorizes Shanghai. Small-time criminals Sing and Bone hope to join, but they only manage to make lots of very dangerous enemies. Fortunately for them, kung fu masters and hidden strength can be found in unlikely places. Now they just have to take on the entire Axe Gang.

Following his defeat by Master Ip, Cheung Tin Chi tries to make a life with his young son in Hong Kong, waiting tables at a bar that caters to expats. But it's not long before the mix of foreigners, money, and triad leaders draw him once again to the fight.

When a young Master Ip stops a kidnapping, he ignites a turf war with a ruthless human-trafficking ring. In retaliation, the gang kidnaps one of Ip Man's close friends, forcing him to face the group's brutal boxing champion head-on.

A physical exchange, taking place between a young cycle courier and an aged Hells Angel. While absolutely different physically the two men are equal in strength and the dynamic of the piece is built on their respective waves of aggression and withdrawal. Filmed on a steadicam, the act of looking itself feels embodied as it observes the event from constantly changing vantage points, approaching and withdrawing just as the two men keep performing a dance of aggression around each other.

A short action film.