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Poster has a silloete of a man leaving
The Good, the Bad and the Ugly
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Reconstructing 'The Good, The Bad And The Ugly'
Overview of the initial edits and cuts to the film and effort made to restore the missing footage
Shane
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
Shane Gillis: Beautiful Dogs
In a rowdy stand-up set, Shane Gillis riffs on his girlfriend's Navy SEAL ex, touring George Washington's house and being bullied by an Australian Goth.
The Outlaw Josey Wales
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
Hell Hath No Fury: The Making of The Outlaw Josey Wales
John Milius narrates this featurette on the Clint Eastwood classic.
Django
The story of Django Reinhardt, famous guitarist and composer, and his flight from German-occupied Paris in 1943.
Django Unchained
With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.
For a Few Dollars More
Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.
Departure
A small strip of archival domestic film of a man 'departing' loops endlessly back and forth, and as it does so, the repeated actions of the man seem to physically alter the layers, the skin of film and image through which we watch this action take place. The figure is marking out the landscape by traversing it, by exiting the frame and leaving a ghostly trace of his presence, but it is the surface of the visual form itself that is left marked.
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