Romcom where they take nude pictures in desert

Anthropology student Daria, who's helping a property developer build a village in the Los Angeles desert, and dropout Mark, who's wanted by the authorities for allegedly killing a policeman during a student riot, accidentally encounter each other in Death Valley and soon begin an unrestrained romance.

Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.

Two couples meet on a deserted beach. Politeness soon turns into an emotional and physical striptease.

A soft erotic movie showing scenes of men in love, in the desert, and on the beach.

When the going gets hot, the hot get going. To the desert to be captured by the cameras of Player. See gorgeous covergirl Laura and all her hot little friends frolic in a sandy playground, leaving little to your wildest, wickedest erotic imagination. And little or nothing in the way of clothing. Go crazy from the heat with Erotic Desertscapes.

Two friends use the casting couch to seduce women while pretending to be movie producers.

A couple travel to the beach, only to find it's a nude beach.