Metronome is playing almost the whole movie

The film "The Key to a clockwork Orange" is dedicated to the street war of anti-fascists and nationalists of the 2000s. The focus is on the musical preferences and political ideas of the conflict participants who lost their health and lives in the bloody FA-ANTIFA confrontation. It was a subcultural war, the main front of which was music. It was conducted by very similar young people who did not fit into the social structure of modern Russian society. Now they have matured, and the activity of street confrontation has decreased. The main feeling that the heroes of the film, named after the cult novel by Anthony Burgess and Stanley Kubrick's tape, indulge in is nostalgia, and after it comes a new understanding of the years experienced and an understanding of the enduring value of the main motor of conflict activity – youth.

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

A ferocious, bullying music teacher teaches a dedicated student.

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Part of Sherwin's short film series. "...In the shuddering stasis of METRONOME– an illusion caused by the clash between the spring-wound mechanisms of the Bolex camera and of the metronome itself." -Film-Makers' Co-Op

A micro short experimental drama focusing on a drummer battling against the ticking of time.

METRONOME is both the most straightforward (as well as the most difficult) of Stephanie Barber's films. It is very dear to the filmmaker's heart. The soundtrack of a radio play is off-set by the intractable images of "spaces." The former seems to balance precariously between kitsch and true heart-rending emotion and the latter references the asceticism of seventies minimalism (in experimental film) with the impenetrable intellectualism becoming increasingly moving as the film progresses. The marriage of these two elements is an odd tension: the tale of the play, the threat of limb extraction, asks the necessity of "whole and what the elements are which compose complete."

Metronome is a 2002 Canadian short experimental film which mixes appropriated film clips and video by video artist Daniel Cockburn to express ideas about rhythm and order, the self and other minds, and the digital age. Densely philosophical, the work is acknowledged as his international "breakout hit" after several locally successful short works, winning praise from critics, a mention, and an award.

An elderly ailing maestro and a young piano prodigy venture out of their musical isolation in hopes of selling their beloved piano.