Couple, husband a doc ...wife facing infertility .... mive to some new town. Naughty girl..like skme who knows the doc before tries to seduce him..

Set in a dystopian future, a woman is forced to live as a concubine under a fundamentalist theocratic dictatorship.

In a dystopian, polluted right-wing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.

Sister Simone partners with her ex-boyfriend on a globe-spanning journey to destroy Mrs. Davis, a powerful artificial intelligence.

No overview available.

Alicia Florrick boldly assumes full responsibility for her family and re-enters the workforce after her husband's very public sex and political corruption scandal lands him in jail.

In pre-WWII Australia, a love triangle develops between a man, his wife and the man's brother.

Two couples, undermined by frequent scenes, fall apart: the men, Richard and Bertrand, directors of an advertising agency, move into their office; soon Lucien, their main client and friend, suffering from the same afflictions, joins them in this new bachelor life. For their part, the women regroup and organize themselves: Victoire absorbs herself in her work as a decorator; Charlotte, long submissive to Richard's personality, raises her head and finds a job; as for Pascaline, she runs off with Tabard, her husband Lucien's groom, to start raising sheep. These three crises, combined with a series of twists and turns, bring unexpected results for each of the couples.

Since he lost his hearing, Cha Jin-woo has gotten used to his solitary life. One day, an aspiring actress Jung Mo-eun, enters his quiet daily routine.

When Lucy Albright arrives on the campus of her small college, away from her mother whom she's never forgiven for an act of betrayal in her early teen years, Lucy embraces college life and all it has to offer. But everything changes when she meets Stephen DeMarco, who has a mysterious past of his own. Their addicting entanglement will have consequences they never could have imagined.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.