Glass breaking richochet Jewish wedding scene

Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.

Four thirtysomething college students share a flat in Florence: Leonardo pursues beautiful Letizia, Rocco moonlights as a night watchman, Bruno needs to graduate to inherit his father-in-law's business, and Pino dreams of becoming a stand-up comedian.

JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg

Shor film about two catholic nuns watching a jewish ritual.

Guests step out in smart hats and sumptuous furs for a Jewish wedding at London’s Central Synagogue.

A very unorthodox Jewish family is preparing for Sabbath dinner with their Rabbis (two). They are all straggling with the restrictions Sabbath brings until the old and wise Rabbi unexpectedly solves all their predicaments. 4 scenes - same dialogue - 4 long shots.

Two middle-aged Jewish merchants plot to crack a safe with a clergyman and some neighbors in Paris.

Early Lois Weber film. Isaac and his faithful wife, Rachel, deplore that in America their children are forced to work on the Jewish Sabbath. Leah and Sam are not so strict as their parents and the old customs pall about their more American spirits. Sam is employed in a cloak house and secretly loves his employer's daughter, but she refuses to recognize him. Leah is loved by the handsome gentile floorwalker, and despite her father's objections, she marries him. Isaac orders Leah from the house. Later, the daughter of the cloak manufacturer marries an admirer and Sam is invited to the wedding. He drinks and disgraces himself, and returning home, is turned out by the heartbroken rabbi. He leaves, telling the old man that he will return when the father celebrated the Christian Christmas.

The night after their grandfather’s funeral, three cousins engage in a verbal (and sometimes physical) battle. In one corner is Daphna Feygenbam, a “Real Jew” who is volatile, self-assure, and unbending. In the other is her equally stubborn cousin Liam, a secular and entitled young man, who has his shiksa girlfriend, Melody, in tow. Stuck in the middle is Liam’s brother, Jonah, who tries to stay out of the fray. When Liam stakes claim to their grandfather's Chai necklace, a vicious and hilarious brawl over family, faith, and legacy ensues.