Black and white Japanese movie in sort of a james bond style about yakuza guys that’s crazy and butterfly might be in the title

After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

Tokyo Drifter acts as an ode to Tokyo, with a very simple premise: a musician (Kenta Maeno) wanders around various darkened areas of the city on a rainy night in May with his guitar, singing songs about life, love, and Tokyo itself. Matsue and Maeno together take the city in all its gritty glory and attempt to shine a light on the darkness.

An Israeli anti-terrorist agent must stop a disgruntled Vietnam vet cooperating in a Black September PLO plot to commit a terrorist attack at the Super Bowl.

A vengeful witch, Asa Vajda, and her fiendish servant, Igor Jauvitch, return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant: Katia. Only a handsome doctor with the help of family members stand in her way.

Kuroda is a mob hitman who turns on his employers after being forced to execute his lover. Joining forces with his similarly wronged brothers, hot-headed Eiji and aspiring boxer Saburo, the trio escalate their mob retaliation to all-out turf war where no one will stop until one faction emerges victorious.

Featuring full-body tattoos, pinky amputations and Hawaiian shirts, The Yakuza Papers display the signature style of Japan’s criminal underworld. In this FilmStruck Original, Tokyo-based investigative reporter Jake Adelstein explains the customs and traditions of the Japanese mob.

1962 Japanese movie

Daisuke Honda, a war photographer in Vietnam, meets Yuriko Sawanouchi, a stewardess on his plane back to Japan. After drinking with her at a Tokyo bar, he becomes involved in saving Yuriko from assassination by stylish, female ninjas. When trying to rescue Yuriko from kidnappers, Daisuke discovers a group of foreigners are hunting for a WWII-era treasure hidden on an island by Yuriko's father.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.