scene in old film where woman performs a sexual ritual on ground beneath a hanging naked man

Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.

A close look at the people in the populist rightwing party Sverigedemokraterna (Sweden Democrats).

A director pressures an actress into full nudity on the morning of her first sex scene.

A man holds a woman in his dungeon, ties her up and suspends her from the ceiling. He then goes through the do's and don'ts of making a snuff film.

A woman frolics about in the woods, naked. A man watches, before embracing her in a savage manner. From “Vintage Erotica anno 1930” by Cult Epics

Step out of the light and watch the creatures of the night! It seems you've stepped into a dream. A girl suspended from a beam, A brace of rigid cocks are sucked, Her ass is flogged, Her face is fucked, The rubber nurses filthy pair, Use the examination chair, to fuck each other's cunts with glass and ram steel dildos up their ass, and then they fuck the big black cock, Twelve inches long and hard as a rock. The men demand their bollocks drained by strumpets from the ceiling chained. The sacrifice, her asshole greased, is buggered by the voodoo priest. And finally the dungeon scene. The slave sucks madam's poopshoot clean. If you think this film subverts, blame it on the night perverts.

Organics begins with the observation of a Zorro mask and a distorted / veiled woman's face. A shot of Notre Dame Cathedral in Paris develops into a women's foot scene which leads to a longer kiss scene punctuated by an explosion, falling leaves, a tank, touching hands, a hand in a plaster cast, bunches of grass and a dark cellar door. After observation of a skeleton detail, the found footage actors become involved in slowly feeling each others body. A man swings a necklace back and forth like a pendulum, a head being bandaged, attempts at face make-up, details of operations... in a flickering, pumping screen light until, in the end, "Hey Joe" centres the picture briefly with his penis. After the hand movements which follow, the veiled face of a woman appears again, longer this time, to be observed by "Hey Joe" until the film floodlight is turned off.

Ritual of seduction led by Aloual, principal actant of the filmmaker's first films. This ritual, carried by the rock energy of the divine Lou Reed, accelerates in a frenzied gesture that develops the erotic imagination... Ambiguity of the male nature... gender trouble... This ritual of seduction open to erotics dreams...

These women are in for a very long night! This 70’s vintage film features intense bondage practices on these delightful beauties and it’s going to go all night for them! Rough sex auteur director, Joe Davian, delivers a straight faced black magic story. New York reporters investigate the bizarre sex rituals of an underground voodoo cult. Wall to wall graphic orgies, up close whip wounds, and crucifixion!

Since 1963, the Austrian avant-gardist Hermann Nitsch has created a series of live happening, which (like Otto Muehl's Sodoma) combine cruelty, sexuality, defilement, and visual shock for purposes of purification, and "ab-reaction" of sado- masochist impulses. This is a film record of his most controversial creation: the crucifixion of a young woman, the disembowelling of a lamb carcass, and her defilement with it. —Peter Gorsen, Sexualaesthetik, 1972