Early scene in film where a woman kneels on the ground beneath a naked hanged man

Police sergeant Neil Howie is called to an island village in search of a missing girl whom the locals claim never existed. Stranger still, however, are the rituals that take place there.

A sheriff investigating the disappearance of a young girl from a small island discovers there's a larger mystery to solve among the island's secretive, neo-pagan community.

Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.

A close look at the people in the populist rightwing party Sverigedemokraterna (Sweden Democrats).

Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death's head mask and a nun's habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn't always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman's life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.

A director pressures an actress into full nudity on the morning of her first sex scene.

The start of the film sets the tone. A tortured man looks as if he will castrate himself. Later he staggers aimlessly and bleeding heavily through the streets of a town that is just waking up. In parallel, the film shows the marital discussions of a couple, with the husband hiding behind the camera.

A man holds a woman in his dungeon, ties her up and suspends her from the ceiling. He then goes through the do's and don'ts of making a snuff film.

A biting, beautifully gruesome exploration of female corpses, as portrayed nude on screen.

Organics begins with the observation of a Zorro mask and a distorted / veiled woman's face. A shot of Notre Dame Cathedral in Paris develops into a women's foot scene which leads to a longer kiss scene punctuated by an explosion, falling leaves, a tank, touching hands, a hand in a plaster cast, bunches of grass and a dark cellar door. After observation of a skeleton detail, the found footage actors become involved in slowly feeling each others body. A man swings a necklace back and forth like a pendulum, a head being bandaged, attempts at face make-up, details of operations... in a flickering, pumping screen light until, in the end, "Hey Joe" centres the picture briefly with his penis. After the hand movements which follow, the veiled face of a woman appears again, longer this time, to be observed by "Hey Joe" until the film floodlight is turned off.