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People go insane looking at the sun
Midsommar
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
Vi bryr oss egentligen inte om midsommar
A close look at the people in the populist rightwing party Sverigedemokraterna (Sweden Democrats).
Planet of the Apes
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.
Kingdom of the Planet of the Apes
Several generations following Caesar's reign, apes – now the dominant species – live harmoniously while humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all he's known about the past and to make choices that will define a future for apes and humans alike.
Don't Look Directly into the Sun
Sunlight is abstracted and accentuated through alchemy. Through a pinhole lens, this hand-processed and toned film chases sunlight through water and glass and streaming through branches and clouds.
The Sun: Inferno in the Sky
The sun is burning bright, sending light and warmth to Earth. Nothing out of the ordinary. Then, suddenly, all hell breaks loose…
B-Roll of the Sun
This installation, like so many others, is outdoors. It cannot really be seen, for its primary object, will, if looked at directly, burn, damage, even ruin the eyes. You look, instead, around the place. You see that object, that light, reflected in others—on their skin, in their hair, like illuminated masks or veils. This, for some, is enough. For others, it causes only frustration. Wanting to get to the origin of this light, this heat, but unable, some will approach these others not as secondary and adequate sources of light, but instead as objects in the way. “Viewers” will, therefore, do one of two things: either they will admire one another, or they will seek to destroy one another. Meanwhile, the installation, the source, burns on, unseen. Julie Carr, Real Life: An Installation
Sideways Glances Toward the Sun
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