film about man who sends away younger wife to a french madame to learn about lovemaking anais

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions of love, leading her further towards Paris and the country wilderness.

A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.

This three-part movie begins with a young woman married to an older, cold-hearted man in the year 1200. Two rivals have a swordfight over the affections of the woman. Part two takes place in 1910 and finds an amorously unfaithful wife taking on her many lovers while her unsuspecting husband lurks nearby. The final part finds a count and countess engaging in extramarital affairs in France during the 1840s.

Brigitte Lahaie plays the Madame of a brothel who is busted by a sincere cop. He makes some sly remark about getting out of the brothel business and setting up a school, so guess what? She sets up a school to teach young women the fine art of pleasing their man!

Clara is one of Sylvie's best friends. Their special relationship goes as far as sharing the same boyfriend. One day, Sylvie's aunty, Alice, whom everyone calls Madame since she's worked all her life in the haute-couture business, invites both girls to her manor house in the trendy Parisian suburbs. Once over there, Clara also meets up with Alice's husband, a lecherous man who lives off his wife's fortune whilst neglecting her sexually and who prefers paying whores... An extremely immoral tale, "Madame..." is a very well acted film in which female pleasure takes center stage. Various and repeated penetrations, sodomy and double penetrations succeed one to another with an unsurpassed intensity. A new Marc Dorcel production that Aphrodite would be proud of.

France 1972, in a small provincial town, a vicious reputed notary falls in love with a sexy adventurer.

French film favorite Edwige Feuillere plays a high-class gangster's moll named Maine. When Maine's first husband and daughter pay a visit, it's an awkward time for our heroine and her current amour, gang boss Godot (Jean Servais). In addition to fielding a lot of embarrassing questions, Godot also has to deal with a pesky turf war with a rival mobster. Not that the ex-husband is a paragon of virtue: he's busy trying to get even with a crooked business associate.

A marriage crook wanted by police takes refuge in a hotel isolated on a beach in Normandy at the end of the season. This quiet hotel welcomes love antics of all natures that involve the owner, a young widow, and his good small nymphomaniac. The arrival of Alex will spice them up. But very special ads that publish will betray him. And against a total sexual servitude he shall pay his concealment. Interpreted by the sublime CATHY MENARD, one of the last great films from the end of the golden age of cinema X French left with a triumphant success on August 31, 1983 in the ALPHA-FRANCE movie theaters.

Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

Agnès, a bourgeois young woman from Geneva, writes a letter to a friend, telling how she ended up cheating on her husband. Fascinated by the attitudes and gestures adopted by a prostitute to attract clients, Agnès decides to imitate her and seduces the first man she sees, sitting on a garden bench.