Movie director hurries to set while his friend drives his wife across Europe

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions.

Godard still edits on analogue equipment. If he needs to insert an extra scene, he applies a double exposure. Aragno pushes this strategy to its limits and applies it to Godard’s original Le gai savoir (1969). The subject remains the same: a dialogue about the degradation of the French language under the capitalist system.

Notes on the inception and making of Hail Mary.

In a fast-paced action film with an international backdrop, an unsuspecting Edith (Mireille Perrier) goes to Frankfurt to work for a German friend who is investigating some illegalities in the transportation industry. After Edith arrives, her friend leaves for Berlin, so Edith goes to stay at the house her friend shares with a second-generation German-Turkish woman. Meanwhile, Gordon (Bruce Thurman) is out photographing some journalists armed with video cameras who are spying on a wealthy honcho in the trucking business. He accidentally follows Edith and photographs her, then ends up saving her from some attackers. The dramatic action intensifies as questions arise about what certain trucks are carrying into Germany, what Edith's friend has to do with exposing the cargo on those trucks, and whether or not Edith will remain an unscathed, innocent by-stander.

Two hitch-hikers are on the way to Marseilles pursued by her husband.

Director Paul Borg (Ebbe Langberg) neglects his young, beautiful wife Marianne (Ghita Nørby). He even forget their wedding day, in favor of a new fast sports car, a beautiful silver-gray Jaguar. During his drive, he runs out of gas. A young lady Laura Lublinski (Hanne Borchsenius), helps him and he takes an innocent flirtation with her. When Marianne learns this, she moves home and dump into an artist community with Jenny (Bodil Steen), Ovengaden of water 52 in Christianshavn. Here she takes the unrepentant Don Juan, Mario (Dario Campeotto) and the guitar-playing Eigil (Dirch compatible).

A desperate husband chases a bus full of beautiful women headed for Paris, France.

Slapstick-style comedy in which a celebrity, to escape a marriage, trades places with his personal chauffeur.