a recently made movie that starts with something titled chapter 3, shows how the world unravels to it’s end and then works back to chapter 2 and then 1 which shows the lead up to the end

Armed with only one word - Tenet - and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time.

A group of maladjusted friends reunite and decide to compare their latest experiences and differing tenets.

The film consists of four "chapters", each related to the other in some or the other way. The film has a unique plot which talks about people who unknowingly ends up helping each other, in a series of events which take place precisely in two days and a night.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

The third 'Front and Back' film.

March 10th 2032, the world collapses. 13 years later, Will, a man dead set on reliving the joy of watching a movie in a theater, attempts to relay such an experience to a group of post apocalyptic teens, unaware of the existence of cinema.

Before the End responds to the ethos and fanbase of the Before series while considering the impact of the pandemic on filmmaking, films, fans and characters too. Primarily, the work is an experiment with updating the Kuleshov effect for social media, that is, showing how the juxtaposition of images will be read by a cinema audience as narrative, even though the projection of emotional connections between the images is, as here, entirely the construct of the audience. For study purposes. This simulation of a fourth ‘Before’ film for the pandemic sees Jesse (Ethan Hawke) and Céline (Julie Delpy) on a video call during lockdown in 2020, separated, and unwittingly recreating the scene in the record booth from Before Sunrise. The video incorporates footage from the Q&As that Ethan Hawke and Julie Delpy did with Cameron Bailey for TIFF Originals on 30 April and 12 May 2020 respectively.

Three survivors work together to stay alive in a post-apocalyptic world, until one discovers a mysterious relic that will change their lives forever.