Teen girl gets her watch caught in a film projector at the movie theater and gets puled into the movie and her friends watch as she is in multiple films

Residents of a friendly Pennsylvania town foil three brothers' plan to rob a bank on Christmas Eve.

Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.

After his father's death, a young boy finds solace in action movies featuring an indestructible cop. Given a magic ticket by a theater manager, he is transported into the film and teams up with the cop to stop a villain who escapes into the real world.

The most comprehensive retrospective of the '80s action film genre ever made.

It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.

In his first special since his serious car accident, Tracy Morgan cracks jokes about life in a coma, his second marriage and his family's dark side.

A loose biography of seminal disco hit-makers The Village People and their composer Jacques Morali.

What happens when you can no longer practice the profession that is part of your identity? You Can’t Stop the Music is a portrait from today’s Afghanistan, where life in the shadow of the Taliban can at times seem surreal. When the Taliban took over Afghanistan, Akbar Adeli was a music student at Kabul University. For conservative Afghans, music had been suspect even before the Taliban takeover, but it soon became a gamble with one’s life – especially since Akbar plays Western pop music.

A girl suddenly ends up at a movie theater labeled theater 17. Upon entering, she watches a film compilation of her childhood home videos.

A young woman wanders about an abandoned cinema, rummaging through its storerooms and curiously exploring the mechanical and celluloid detritus that has been left behind. A sense of transgression is in the air – the woman is, after all, trespassing – and she finds herself constantly being watched by several men who, we assume, oversee the disused property. This vague threat notwithstanding, she projects scraps of old footage, creating a freeform narrative all her own, breathing new life into forgotten artifacts.