in the last 3-4 years film about a man who is approaching death but does not know it and who sees his name everywhere in the american town where he lives including an amazing dancing sequence in the street with a women he meets by chance

The story of Henry, a stand-up comedian with a fierce sense of humour and Ann, a singer of international renown. In the spotlight, they are the perfect couple, healthy, happy, and glamourous. The birth of their first child, Annette, a mysterious girl with an exceptional destiny, will change their lives.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Germain, an introspective retiree, abruptly becomes a widower at 75. He barely has the time to realize what has happened to him before his family forces their way into his daily life: non-stop phone calls and visits, meals and activities organized in advance – all meant to make his life as regular as clockwork. But Germain’s mind is elsewhere. Honoring a promise he made to his dear departed wife, he suddenly finds himself at the heart of a contemporary dance company’s newest work.

In the space between life and death, a man’s spirit is given one last chance to dance.

One night during the pandemic, the director was dancing blindfolded with her partner and had a vision that she was dancing with his ghost. The Dance After the Last Dance emerged from that vision and explores the healing power of movement, darkness, and private grief witnessed collectively.

An old man on his deathbed seeks peace with his imminent fate through an old film reel of his father.

One day, hospital orderlies, watching corpse in the morgue, recognize film director. Man, even though he died, he begins to remember his life. He made a career making movies, had numerous mistresses, but never realized their dreams. His life was interspersed with many setbacks that enfeebled him from the inside. Although he made a career in film, he was not happy with his life.

When a dancer loses his partner, he goes to the studio to work out his grief. As he's about to give up, his partner appears to him and they have one last dance to say goodbye.

In this apparently lost film, a beautiful dancer's sexual allure is used by an evil cripple to entice men to their deaths. Falling in love with one of the potential victims, she is told by the cripple that he will set her free if her lover, actually a murderer himself, survives and escapes a bizarre labyrinthe which runs beneath the cripple's house.

Set in Port Townsend, San Francisco, and the "bardo terrains of the soul realm," this promising 70-minute debut feature (shot in Hi-8 and 3/4" video and Super 8 film) is a visionary exploration of an elderly bedridden man's interior journey toward death and beyond. It's also a sometimes humorous, sometimes heartrending portrayal of his family's changing perceptions of the process of death. It follows the final day in the life of an elderly patriarch who has lapsed into an intermittent coma. As he dies, his son returns home to visit the family, where he unexpectedly participates in an ancient ritual of ancestral origins.