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It’s 1882 and the Gilded Age is in full swing when Marian Brook, a young orphaned daughter of a Southern general, moves in with her rigidly conventional aunts in New York City. With the help of Peggy Scott, an African-American woman masquerading as her maid, Marian gets caught up in the dazzling lives of her rich neighbors as she struggles to decide between adhering to the rules or forging her own path.

In the closing decades of the nineteenth century, during what has become known as the Gilded Age, the population of the United States doubled in the span of a single generation. As national wealth expanded, two classes rose simultaneously, separated by a gulf of experience and circumstance that was unprecedented in American life. These disparities sparked passionate and violent debate over questions still being asked in our own times: How is wealth best distributed, and by what process? Does government exist to protect private property or provide balm to the inevitable casualties of a churning industrial system? The outcome of these disputes was both uncertain and momentous, and marked by a passionate vitriol and level of violence that would shock the conscience of many Americans today.

Successful surgeon Tomas leaves Prague for an operation, meets a young photographer named Tereza, and brings her back with him. Tereza is surprised to learn that Tomas is already having an affair with the bohemian Sabina, but when the Soviet invasion occurs, all three flee to Switzerland. Sabina begins an affair, Tom continues womanizing, and Tereza, disgusted, returns to Czechoslovakia. Realizing his mistake, Tomas decides to chase after her.

Milan Kundera's rambling novel The Unbearable Lightness of Being, though greatly admired, was thought by Hollywood studio executives to be "unfilmable." Director Philip Kaufman and producer Saul Zaentz proved them wrong. Emotional History follows Kaufman and Zaentz as they enlist the help of screenwriter Jean-Claude Carrière and legendary film editor Walter Murch to turn the Kundera novel into an imaginative exploration of politics and eroticism, set against the backdrop of the Russian invasion of Czechoslovakia. Our documentary goes in-depth to discover how indelible moments in the film - Lena Olin kneeling on a dressing mirror; Russian tanks invading Prague; Juliette Binoche photographing her boyfriend's nude mistress; became a part of cinematic history.

After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith are stuck in a huge rut. Unbeknownst to each other, they are both coolly lethal, highly-paid assassins working for rival organisations. When they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry.

Happily married for three years, Ann and David Smith live in New York. One morning Ann asks David if he had to do it over again, would he marry her? To her shock, he answers, "No". Later that day, they separately discover that, due to a legal complication, they are not legally married.

Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.

An ambitious young skier, determined to break all existing records, is contemptuous of the teamwork advocated by the US coach when they go to Europe for the Olympics.

V.A.D. and Charm try to outplay each other in a game of deceit. When a terror female boss was blackmailed by her assistant, she has no choice but to obey and play with her.

Women take charge in Deepers newest collection of vignettes. A betrayed wife her husband to fuck with his mistress in front of her before she joins in. A seductive domme lends her slave out for her visitor's pleasure. Two roommates play a game with a boyfriend caught spying, and finally, one woman pulls another toward the outer limits of sex as she describes to her what a kiss might do. All pull their partners into submission in the natural course of taking what they came for.